Harding Black gifted Baylor University his personal collection of thousands of ceramic objects, spanning the length of his career, from the 1930s to the 1990s. The glazes that Black developed are still taught in ceramics programs around the United States, including at Baylor. Harding Black Collection and Archive #3911, box 11, folder 6.
Please join The Texas Collection for a lecture
by Baylor University professor and
ceramist Paul McCoy,
The Life and Art of Harding Black:
The Power of One
Thursday, September 24, 2015
3:30-5 pm
The Texas Collection’s
Guy B. Harrison, Jr. Reading Room
Baylor University
Reception to follow
Among the many glazes that Black worked on over the years, none is more closely associated with him than copper red, seen here on a test bowl. Black built on the work of researchers such as Charles Fergus Binns and Edgar Littlefield to create a stable process for replicating this ancient Chinese glaze. http://digitalcollections.baylor.edu/cdm/compoundobject/collection/tx-harding/id/1347/rec/1Black worked extensively with crackle glazes throughout his career. The cracks, or crazing, that give these glazes their unique appearance were at one time thought of as a defect. During China’s Song dynasty, crazing, seen here on a test vase, came to be regarded as a decorative effect. http://digitalcollections.baylor.edu/cdm/compoundobject/collection/tx-harding/id/1892/rec/1
Harding Black has long been considered one of the pioneers of the American studio ceramics movement, and his work is today held in public and private collections throughout the United States. In 1995, as Black was preparing to retire from 60 years as a teacher, artist, and researcher of ceramics, he entrusted Baylor University and Paul McCoy–his fellow ceramist, fishing partner, and close friend–with his personal collection, in the hope that future generations of students and researchers would continue to build on his legacy. When Black passed away in 2004, Paul McCoy delivered his eulogy to the National Council on Education for the Ceramic Arts annual meeting.
Harding Black dedicated his life to his art, and to honor that commitment, Baylor University’s Texas Collection partnered with the Department of Art to preserve and digitize Black’s personal research notes, and to photographically document thousands of ceramic objects from his ceramic test collection. This digital archive makes Black’s work accessible to artists and academics around the world.
On August 14, 2015, the Texas Collection opened an exhibit featuring dozens of ceramic works by Harding Black, curated by Paul McCoy. These objects are on view at the Texas Collection through October 14, 2015, from 8 am-5 pm, Monday-Friday. The exhibition, lecture, and reception are free and open to the public.
For more information, contact Paul McCoy at Paul_McCoy@baylor.edu.
Blog post by Josh Garland, Museum Studies graduate student
Oilspot glazes are among the most visually striking of Black’s work. Seen here on a test vase, oilspot glazes became popular during China’s Song dynasty, and remain so today. Depending on its composition, the glaze can take on a range of colors from blue and gray to yellow and black. http://digitalcollections.baylor.edu/cdm/compoundobject/collection/tx-harding/id/3612/rec/1
Harding Black maintained a passion for teaching the ceramic arts throughout his life. After retiring from his teaching position at the Witte Museum in San Antonio, Black continued to work with at-risk children on his own time. Harding Black Collection and Archive #3911, box 11, folder 6.This test bowl features a flame glaze, a composition that Black spent decades developing. By applying a second glaze on top of a base glaze, a linear pattern may emerge as the topmost glaze flows downward, which can form the image of a flame motif. Harding Black Collection and Archive #3911. http://digitalcollections.baylor.edu/cdm/compoundobject/collection/tx-harding/id/3275/rec/1
By Josh Garland, Museum Studies graduate student
On August 14, The Texas Collection opened a special exhibit of ceramic works by Harding Black, one of the pioneers of the American studio ceramics movement.
Harding Black was born near Aransas Pass, Texas, in 1912. As a young man, he became interested in pottery after excavating ancient Native American sites near Big Bend, Texas. These early explorations would set Black on the path to rediscovering some of the ancient world’s most elusive glazes.
Heralded in his own lifetime as “the Dean of Texas Ceramics,” Black had no formal training in the fields to which he dedicated his life. He was taught to throw clay in the early 1930s by his friend Rudolf Staffel, who would himself go on to be recognized as a master ceramist. Black began teaching children’s ceramic classes at San Antonio’s Witte Museum soon after, and also supervised projects for the Works Progress Administration.
Although Black was capable of producing remarkable ceramic forms–bowls, vases, sculptures–his true passion, and indeed the foundation of his legacy, lay in glaze research. By building on the work of prominent researchers such as Charles Fergus Binns and Edgar Littlefield, Black succeeded in his pursuit of the ancient Chinese copper red glaze, publishing his findings in the inaugural issue of Ceramics Monthly, in January 1953.
Black’s love of ancient glazes would lead him to significant developments not only in copper reds, but also in Eastern glazes such as celadons and oilspots, along with Scandinavian satin mattes, and many others. Black shared his research freely, asking only that others continue to extend his work.
Black’s true passion in life was glaze research. He was particularly interested in ancient Eastern glazes, such as celadon, seen here on a test vase. By altering the composition of the glaze, Black was able to achieve a variety of hues, ranging from the traditional pale green, to brilliant blues and yellows. Harding Black Collection and Archive #3911. http://digitalcollections.baylor.edu/cdm/compoundobject/collection/tx-harding/id/468/rec/1
Black continued to work into his 80s, but decades of throwing clay and mixing glazes had taken a toll on his health. In 1995, Black donated his extensive collection of research notes and nearly 12,000 ceramic objects from his personal collection to Baylor University.
In 2015, The Texas Collection partnered with the Department of Art on a major effort to process and digitize Harding Black’s extensive collection of glaze notebooks and photographically document thousands of ceramic pieces to create a digital collection of Black’s work, ensuring that his research would be available to future generations of ceramic artists and researchers. Texas Collection staff member Amanda Dietz supervised the project, with museum studies graduate student Josh Garland and undergraduate student Amanda Means contributing.
Although known primarily for his work with Eastern glazes, Black also conducted significant research on Western glazes. This test vase features a lava glaze, and illustrates Black’s ability to craft ceramic objects that seem almost to have been pulled from nature. Harding Black Collection and Archive #3911. http://digitalcollections.baylor.edu/cdm/compoundobject/collection/tx-harding/id/3729/rec/1
With archival efforts completed, The Texas Collection is proud to host the exhibit, Lifting the Veil: The Ceramic Legacy of Harding Black. This exhibition features dozens of stunning pieces by Black, curated by Baylor University professor and ceramist Paul McCoy. The exhibition runs from August 14 – October 14, at The Texas Collection. In addition, The Texas Collection will host a reception on September 24, from 3:30 – 5 pm, where McCoy will present a lecture on the life and art of Harding Black. Located in The Texas Collection’s Guy B. Harrison, Jr. Reading Room, the exhibition, lecture, and reception are free and open to the public.
For more information, contact Paul McCoy at Paul_McCoy@baylor.edu.
