Book Review: Stylish Academic Writing by Helen Sword

by Kristin Huggins, Consultant

“Academic writing, like university teaching, is what sociologist Paul Trowler calls a ‘recurrent practice,’ one of the many routine tasks that most academics perform ‘habitually and in an unconsidered way,” with little thought as to how or why things might be done differently.” – Helen Sword (2012, p. 23)

This book is a culmination of several years of research on the conventions of academic writing, how academics feel about the writing process, and how students and early-career academics believe that academic writing must fit in a particular box to achieve any measure of professional success. Helen Sword is an Associate Professor in the Centre for Arts and Social Transformation at the University of Auckland. She earned her Ph.D. from Princeton University in Comparative Literature and has taught in higher education for several decades. By all accounts, her prestigious credentials certainly lend themselves to a traditional academic, yet her life’s work has been in the pursuit of breaking down barriers for writers who seek to infuse their academic work with elements of humanism outside of the conventional norms.

Upon first read-through, Helen Sword’s Stylish Academic Writing feels like a response to Strunk and White’s highly acclaimed Elements of Style, a quintessential text on traditional academic prose in the English language. Several chapters address topics similar to Strunk and White, such as structure and syntax, that are presented in new and innovative ways, pulled from Sword’s research on interdisciplinary writing components. Ever the professor, Sword’s chapters always conclude with “Things to Try,” offering the reader helpful ways to incorporate the chapter’s suggestions into their own practice. Examples include the following:

In the chapter Structural Designs: “Make an outline of your article or book based only on its chapter titles or section headings. How well does that outline, on its own, communicate what your work is about? Are you using section headings to inform, engage, or direct your readers, or merely to carve up space?” (p. 133)

In the chapter Jargonitis: “Ask yourself hard questions about your motivations. Do you employ jargon to impress others, play with language and ideas, create new knowledge, signal your membership in a disciplinary community, or communicate succinctly with colleagues? Retain only those jargon words that clearly serve your priorities and values.” (p. 121)

I found several suggestions particularly helpful as a Writing Consultant who works with clients in multiple disciplinary fields each week. I often feel like I’m a polyglot of academia – speaking several languages and trying my best to translate them into the same dialect of academic writing. During my first read-through, I found myself highlighting prompts and leading questions to retain for consultation use with clients. Some items also convicted me to discover blind spots in my own research.

Sword also strikes out against the “conventional” use of the word “style,” commonly understood in academia as the style guides assigned to respective disciplines. Instead, Sword argues that academics must strive to become “stylish academic writers” (p. 9), a persona embodied by the idea of actively pursuing engagement with an audience, clear communication of ideas with concise examples, and observation of interdisciplinary writing methods that might lend a humanistic quality to our work.

Three primary characteristics of a Stylish Academic Writer emerge from Sword’s work: Connection, Craft, and Creativity.

Connection – What I love most about this book was Sword’s persistence in reestablishing our purpose for producing academic work: to tell a story. Your research, dear reader, began as a response to a problem, a gap, a question about the world around us. Research seeks to connect, to create meaning out of the unknown. These are valuable stories, and Sword argues that no matter the discipline or style guide we must keep those stories and their meanings at the forefront of our writing process.

Craft – Sword encourages readers to find pleasure in the craft of writing.  The word “craft” encompasses the broader concept of writing (i.e., drafting, editing, revising, finalizing), and the smaller concepts (i.e., sentence-level constructions). She provides the following example below for the smaller concept of craft:

“A carefully crafted sentence welcomes its reader like a comfortable rocking chair, bears its reader across chasms like a suspension bridge… A poorly crafted or uncrafted sentence, on the other hand, functions more like a shapeless log tossed into a river: it might or might not help you get to the other side, depending on how strong the current is and how hard you are willing to kick.” (p. 48)

Creativity – “Numerous studies have documented the crucial role of lateral thinking in the creative process: that is, the ability of pathbreaking researchers to’ think sideways’ rather than always plodding forward in a straight conceptual trajectory.” (p. 169)

Sword takes the idea of creativity in academic writing and dissects it into three components: passion, elegance, and interdisciplinary exploration. She cautions readers not to mistake creativity as a call for writers to adopt creative writing practices. Instead, writers should be willing to explore writing strategies found in outside disciplines, especially those that promote clarity, conciseness, concrete communication, and eloquence.

Citation: Sword, Helen. Stylish Academic Writing. Harvard University Press, 2012.

How and Where I Write: A Series

Well, we’re back from Spring Break, which for grad students doesn’t mean living it up on a Florida Beach. It probably meant checking on your lab mosquitoes, editing a thesis chapter, catching up on grading student essays, or trying (we repeat, trying, not necessarily succeeding) to get ahead on class readings. But we hope you did something fun, too; like getting In N’ Out or a massage or reading for fun. Don’t think about how lame that makes you sound.

Our final series for the semester begins this week. Last year, Assistant Dean Beth Barr did an interview with Christianity Today entitled “How and Where I Write.” You can check out the interview here. We thought it was a fun idea, and since she’s one of our deans we thought we’d plagiarize all the interview questions and do our own series. 😜  Not that we advocate for unethical scholarship, of course, but the editors here at BearTracks would argue that we have some limited copyright access to Dr. Barr’s material. It’s definitely in her contract somewhere.

So be on the lookout. Starting next week, we’ll be posting interviews with various professors and graduate students from across the disciplines, asking them a number of questions about their ideal writing conditions, their growth as writers, and some embarrassing writing/reading admissions. And it won’t just be from an academic standpoint, either. We have a number of students and faculty who publish outside of the realm of academia, and in the current job market, we thought you’d like to hear from them too. We’ll still have the occasional post on time-sensitive resources, awards, and opportunities here at Baylor, but we look forward to sharing writing stories with you for the rest of the semester.

Drop a comment below and let us know some questions you’d love to hear put to faculty and/or graduate student writers!

This post was originally published on the Baylor Graduate School blog, BearTracks, and can be found here.

Instrument Hunting: How Ed.D Students Can Find a Dissertation Instrument without Losing Their Minds

by Alicia Briançon, Consultant

Photo by Elisa Ventur on Unsplash

Trigger warning: If you spent weeks trying to find the “right instrument” only to find out it doesn’t exist (like me), then this may induce feelings of anxiousness. 😫

Let’s set the stage: You are typing away into the night to develop your purpose and problem statements for your dissertation and decide that the magic answer to your research design question is, “Yes, absolutely! This is going to be a quantitative study.” Awesome! You meet with your advisor and tell them the news and you think you’re going to just create your own because what you want to measure doesn’t quite exist already and you’re sure you can validate an instrument, because, to quote Elle Woods in Legally Blonde, “What, like, it’s hard?” You’re already knee-deep into your rigorous doctoral program and feel confident in your abilities. While meeting with your advisor, they explain that creating an instrument is in and of itself a “completely separate dissertation.”

By this point, you are feeling slightly defeated, but as we know, academia is a series of high and low points, and this too shall pass. So, where does one find an instrument? Good thing we have the Baylor library and expert librarians!

First, you need to determine what exactly you want to measure. This may seem simplistic in nature, but it is necessary. In the Ed.D program, we are encouraged to select an instrument before tackling other portions of our paper because it is central to the data design and data collection. In some respects, the instrument frames your entire dissertation. It can be helpful to see what other researchers used the same test or instrument in determining how you will apply it to your own.

There isn’t a formal process for finding the “perfect instrument.” However, the library commonly recommends two databases as starting points, which are APA Psych and Education Resources Information Center (ERIC). The easiest way to find these databases is by searching by keyword under the databases tab on the Baylor University Library Website.

It is best to start with a broad topic and narrow it as you continue. Interestingly, there are three different versions of ERIC, but EBSCOHOST has advanced features and is education related. After scrolling down the page on the right-hand side there is a box titled ‘publication type’, and as you scroll you will see ‘test/questionnaire.’ Or, under EBSCOHOST you can put the name of the test in quotation marks with no other limitation and the exact name will be searched in all metadata.

Yes, you can use OneSearch to investigate journals, dissertations, books, e-books, etc., but there are less advanced searches with this path. It is your choice, though!

According to Amy James, the Director of Information and Instruction at the Baylor Library, “Many times, students know the name of the test in an article but can’t find the actual instrument, which is vital to your research. It is not enough to find an article that mentions your instrument of choice.” In the Appendices, you will have to include a copy of the real thing. It is rare, occurring only three times in three years, but if the instrument isn’t found internally then Dr. James goes to Google to hunt it down. Sometimes, the author will let you use their instrument for a small fee or ask that you attend accreditation training. There are benefits to this avenue if you plan on conducting additional research in the future. Also, it looks really cool on your CV and LinkedIn profile, right?!

I asked James if the reason why the instrument can’t be found is if the original author wants to make a profit or the instrument is just very new. She said, “it could be because the instrument is new, or it isn’t part of the current library paid package.” Again, while this is atypical, it is still good to know all the possible outcomes.

Know that you can always place a request with OSOFast, the interlibrary loan request system, which will search other institutions. The sky is the limit. OSOFast requests are sometimes addressed internationally too.

The moral is, don’t panic if you don’t know how to find an instrument. Now, you have some basic first steps and an entire library ready and willing to help you with your research goals, including finding the best instrument or test.

5 Things You Can Do Right Now to Set Yourself Up for Successful Writing Habits

By Jasmine Stovall, Consultant

Photo by Glenn Carstens-Peters on Unsplash

More often than not, the hardest part about writing is not necessarily the writing itself, but rather the act of simply getting started. Typing just one sentence, one bullet point, or even one word on that blank Word document can break the procrastination barrier and open the flood gates of productivity. Second to starting, is finding the time to start and consistently making the time to continue as the semester picks up. One way to combat the hurdles of getting started and keeping going is to start early. Here are five things you can do right now to set yourself up for successful writing habits:

 

1. Figure out your writing style: One of the best ways to figure out your preferred writing style and environment preferences is to spend time writing and getting to know yourself as a writer. Experiment with writing alone, writing with a friend, or even a group of friends, in informal and formal settings, like a departmental writing group. Also, try writing in different environments (e.g., at home or a coffee shop) as well as during different times of the day. This will allow you to get a better understanding of your likes and dislikes. You can then use this information to set up a schedule and create an environment that will allow you to be the most productive.

2. Assess your schedule to get an idea of when and how writing will fit into your routine: Before the semester begins and your Outlook calendar fills up with meetings, seminars, teaching and other outside of class/research obligations in what seems like the blink of an eye, spend some time assessing your schedule to determine where you can schedule in writing time at your ideal duration and frequency. Then, write it in and set it in stone. Set expectations for yourself (and your writing partners, if applicable) and be protective of your writing time. If you do not take it upon yourself to prioritize scheduling writing early on and treat it like a class or any other non-negotiable obligation, it will likely fall by the wayside and never get the time that it deserves or the time you desire to devote to it. Before you know it, you will be halfway through the semester with no real, consistent writing routine and finding yourself looking for ways to fit writing in when it is convenient rather than making it a staple in your weekly schedule to help hold yourself accountable. This is especially important if you plan on writing solo.

3. Establish short-term and long-term goals: One of the most valuable pieces of advice I have ever received regarding large projects, or just feeling overwhelmed with tasks in general, is to think of the project as a big picture and divide your tasks into puzzle pieces of said picture. In other words, breaking larger things down into smaller, more manageable tasks put together over time will allow you to work on parts that will ultimately create a whole and hopefully reduce the feeling of overwhelm in the process. I am a firm believer that the same concept rings true for writing, especially for longer documents such as theses, dissertations, and research proposals. For some, breaking down the big picture writing assignment into puzzle pieces can look like planning ahead. Remember, write your purpose in pen and your plan in pencil. Life happens, so allow yourself to be flexible, but never lose sight of the goal. For others, puzzle pieces make look like setting milestone deadlines with themselves and/or their advisor to keep them on track, hold them accountable and ensure steady progress. This can help make the big picture seem less daunting if you are submitting small parts of a whole at regular intervals. Depending on the nature of your project, these deadlines may be weeks, months, or even semesters in advance. Finally, puzzle pieces may look like breaking down a document by chapter, or even by writing stage. For example, planning to have chapter one submitted by this date, or have a brainstorming session by this date followed by a rough outline by this date, and so on. Regardless of what the puzzle pieces look like for you, the key to successfully assembling your puzzle lies in goal setting. So, set a deadline (long-term goal) then work backwards by setting your milestone deadlines (short-term goals) to keep you on the trajectory of reaching the long-term goal within your desired timeframe.

4. Make a list of resources: Having a resource list handy in times of high stress writing can make all the difference. We often do not realize how many resources we have available to us as graduate students and waiting until you are in dire need typically is not the most conducive time to start looking. Being proactive in seeking out what is available to you beforehand, even if you do not need the services in that moment, will make for a smoother, more expedited process should a problem arise. This way, if/when you do find yourself in need of assistance, you already know where to look. Your resource list can consist of writing resources such as the GWC, or otherwise (e.g., Baylor Counseling Center, OALA, GRC, Career Services, etc). There are several factors that contribute to successful, productive writing, which can vary between individuals. Taking some time at the beginning of the semester to personalize your resource list will allow you the best chances of showing up to the computer as your best self to produce your best work.

5. Find (and use!) a citation manager: Graduate students and faculty alike make the claim that citation managers are a game changer, but it was something that I didn’t come to truly believe until I tried one myself. Trust me, to say that it is a game changer is an understatement. Experimenting and familiarizing yourself with a citation manager early in the semester will ease one of the many, if not the biggest, potential headaches of writing, especially when it comes to documents such as literature reviews. There are several options for citation managers, such as Zotero, Mendeley, EndNote and Citation Machine, to name a few. The options exist and they all serve the same purpose, so your only responsibility is to find one that suits you best based on your preferences and project goals. It is important to note that Baylor and/or your department do support memberships for many of these services and provide how-to workshops for beginners as well as those just needing a refresher. These workshops would make a great addition your resource list from tip #4. For more information on using citation managers, click here. Also keep a look out for upcoming GWC Zotero workshops!

 

Writing is not a task that comes easy to most. While the act of writing can be scary, sometimes even the thought of getting started can be even scarier. Hopefully, these five tips will be helpful in easing some of the anxieties surrounding writing and how to juggle it with the multitude of obligations we commit to throughout the semester as graduate students. The earlier in the semester you begin these things, the more ready you will feel to not only start writing but keep writing.

 

Why Join a Writing Group?

Here we are, the second week of the semester, and already you feel like your brain has 287 browser tabs open. You have an assignment due Friday. You need to go buy more kitty litter (like, yesterday). Your PI gave you a super unreasonable research deadline. Your kid brought home hand-foot-and-mouth disease from daycare. You have a student who is really needy during office hours – every office hour. Your dissertation committee needs the draft by the end of next week. The pandemic is still going on. What can you let go to create time and mental space for all of these pressing needs? 

As grad students, we usually let go of our personal writing time first. When deadlines come creeping or when the grading becomes too much, we immediately let go of the very thing that we came to graduate school to do: write. And it’s understandable why. Your professor who wants that 20-source literature review isn’t going to change his deadline because you’re tweaking an article. Your undergraduate student who’s having a meltdown about her term paper isn’t going to shorten her visit to office hours because you have to complete a dissertation chapter. So how to we protect our time to write?

The best advice I have received from a professor was this: Pay yourself first. She borrowed it from all of the finance gurus who tell you that the best way to save is to actually save your money first – put it in a savings account before bills, before rent, before those cute shoes on your Amazon wish list. The same works with graduate school. At the end of the day, you are here to research and write first and foremost. The assistantships and everything else are important, but they are not the main thing. And yet, the main thing is what always takes the biggest hit when life gets crazy. So you’ve got to pay yourself first. I would suggest that you do that through joining a writing group.

What is a writing group? A writing group is a group of 4-6 people who meet on a regular basis for extended writing time and accountability. You’re not reading each other’s work or editing it. You’re just writing together. It could be in-person or virtual, within your discipline or cross-disciplinary. The main thing is that you commit to regular meetings and not let yourself or the other members slack off.

What would a typical session look like? Here at Baylor, the Graduate School helps facilitate Writing Groups once a semester, in addition to a required writing group for the Summer Dissertation Fellows. For these groups, we recommend committing to a consistent weekly day and time (e.g., Mondays from 9-11:30am), and that the time block be a significant chunk of time, between 2-3 hours. For the first 15 minutes, the members of the group share their writing goals for that day’s session or even the week as a whole, and how they plan to reach those goals. Then they write for two hours (if it’s a virtual group, they do this over Zoom or Teams, muted but with their camera on for accountability). Then for the last 15 minutes, they regroup and debrief, discussing goals met or unmet, victories and frustrations. These groups can end up being sources of real support and community during the dry spells and storms of graduate school.

Though the Fall 2021 Writing Groups have already been formed, there’s nothing stopping you from starting your own. Reach out to four or five friends (though make it clear this isn’t a social thing!). Post a sign-up in the GRC break room. Email the other students in your department, lab group, or class. Or, you can keep an eye out for sign-ups for the Spring 2022 Writing Groups coming out later this semester. Either way, I hope you’ll pay yourself first this semester when it comes to your research and writing. You deserve really good, regular writing time. Don’t let the ever-present chaos of graduate student life tell you otherwise.