The seeds of an exciting journey

Since the spring, a lot of my thinking and energy has been devoted to the development of an exciting new endeavor in the Baylor Libraries – the creation of the Book Arts and Letterpress Lab. The spring and this summer have been busy developing the space (on the first floor of Jones Library) and the concepts behind this space. Part of this journey was attempting to articulate the What and the Why of this idea.
Often when people learn about the Book Arts and Letterpress Lab that we’re building, the response is in ONE or BOTH of the following camps:

“That’s amazing! When do we start?” and “What does this have to do with libraries?”

To set the stage for my musings on the Why, I want to share with you a couple questions that I think about a lot that help shape my thoughts on this topic – questions I would encourage you to think about from your own perspectives on your work and what you do.

What do we want this place to be known for?

What things are happening here in the libraries that manifest the role of research and engagement on campus?

To preface why we’re starting this lab, I want to first talk about “library as place.” I’m using the word “place” to mean the intersection, interconnection of geographical and philosophical spaces and opportunities (think events, workshops, collaborations, teaching/learning moments, and conversations (formal and informal).

I see library as a place:

  • for community and creativity
  • for experimentation and collaboration
  • of belonging and flourishing
  • to engage with ideas and with others
  • for active learning and transformational education

In earlier centuries, we might define library as the repository of humanity’s recorded communication. Some might argue that this is still the definition, but as we think about the miles of shelves full of printed matter, I would suggest that these artifacts are, in and of themselves, the final iteration of creative practice – a record of someone’s research, documentation, poetry, novels, or ideas. And in an academic library especially, these recorded ideas — these artifacts — are part of a larger, ongoing iteration as others engage with, refute, support, or build upon them. 

The books and journals that sit seemingly static on the shelves are both the result of creative practice and are building blocks for more creative practice. These materials as well as all the recorded information that exists online, reflect this same activity of creative practice, though the practice might be invisible.

This is why you’ll see visible signs of other kinds of creative practice throughout the Baylor Libraries (like in galleries and exhibition spaces and makerspaces), to remind us that creative practice comes in many different forms and the library is a perfect reflection of that, not just a storage facility. 

It’s a place that illuminates and celebrates all forms and stages of scholarship and creative practice. This is precisely why I believe makerspaces make perfect sense in libraries and the new Book Arts and Letterpress Lab is another example of that – with clear historical connections to the history of recorded communication and creative practice with which libraries have always been connected. 

So why are we creating a Book Arts and Letterpress Lab? 

In addition to the reasons listed above, I think the creation of this lab is also a response to the university’s focus on transformative educational experiences for Baylor students. I would add that I think it’s just as important that this focus also creates ripples that even the rest of the community can benefit from as well.

The vision for the lab is to:

  • Support the integration of literacies and active learning experiences into the curriculum – specifically in the technologies and histories of communication, printing, and the book,
  • Serve as a working model of printing practice and history that ushered in a pivotal chapter in the creation, documentation, and dissemination of knowledge and human expression, and
  • Serve as an experiential lab where users can create their own expressions rooted in the rich heritage of the book and printed communication and a place to learn about the history and craft of book arts and letterpress printing.

Some have asked (for various reasons) why this lab isn’t in the art department. It’s a great question and the art department could certainly support such a creative space, but such a space in the art department would be for art students. Creating this lab in the library puts it on neutral ground and makes the resources and opportunities available to the entire Baylor community and students of all disciplines, just like all the other spaces and services of the University Libraries.

My hope for this lab is that it provides all of the expressions in the above vision for the lab, but also serves as another window to how the library can provide tools and spaces for manifesting the role of research, engagement, and creativity on our campus.

POST SCRIPT

I want to share a story of the naming of this new adventure that I think really reflects what we’re seeking to create. Initially I thought we should name it something like “The Center for Letterpress and Book Arts” as this space will provide the tools and experiences in letterpress printing and other realms of book arts. After mulling over this potential name, my colleague Jeffry Archer (Dean of University Libraries, Museums, and the Press) said [something like], “I was thinking about the word “center” and to me it implies a place to learn about something and that doesn’t quite capture what I think you’re trying to create here as a place for “doing” rather than just learning about.” We talked about how the word “studio” seems like more of a label you would see if this were in an art department and then said, “What about this — you know how you might have a physics class where you go to a lecture hall and learn ABOUT physics, but then you go to the physics lab where you actively DO experiments (the practice and work of what you learned about)? What if we use the word “lab” to reflect the idea that this is an active space. Not a museum on the history of printing or the book or book arts, but a place where people will be actively creating?” I thought this was brilliant! (not just because he’s my boss!) I really do like how the word “lab” embraces the act of practicing what you’ve learned about as well as the experimentation I envision for this space. A place to learn, experiment, practice, and create.



Baylor Department of Art Photography Print and Portfolio Sale

reposting for my friends in the art deparment!

2015photoprintsale

2015printsaleWhen: Monday, December 7, 2015 at 5:30pm-7:30pm
Where: Hooper Schaefer Student Lounge
Come check out the latest work created by Baylor University photography students. Come join us for creative art, stimulating conversation, and good food. All prints are available for purchase. The event is free and the experience priceless.

An embedded librarian

In the spring semester of 2015, Baylor University offered its very first book arts course, “Typography and the Artist’s Book” (ART 4338). For this upper level elective, Virginia Green (Associate Professor, Graphic Design) and I planned the course in such a way that students would gain experience creating a number of artist’s books in various structures. In preparation for their own projects, we planned several visits to the Baylor Book Arts Collection (BBAC) for the students to experience and study various structures. My position as art liaison librarian and curator of the BBAC has enabled me to develop valuable connections in the book arts world. Throughout the semester, I was able to integrate several opportunities for the students to engage with book artists, gallery owners, and dealers from across the country. Bill and Vicky Stewart of Vamp & Tramp Booksellers (Birmingham, Alabama) came to campus and exhibited works by numerous book artists with particular emphasis on some of the types of projects the students were working on. Peter and Donna Thomas (Santa Cruz, California) gave a public talk about artist’s books, held a workshop with the class, and led a paper making experience. Alicia Bailey of Abecedarian Gallery (Denver, Colorado) shared her works with the students, talked about her work as an artist, and led a creative writing experience. Alicia worked with us to shape the final student project that would be submitted to a juried exhibition this summer where the works were all based on the Julie Chen and Barabara Tetenbaum’s Artist’s Book Ideation Cards. Even Virginia and I created artist’s books for this show! As the art liaison librarian, this was a great experience for at least five reasons:

• Collaborating with faculty to design and enrich the course was rewarding and helpful in strengthening the relationship between librarian and teaching faculty.
• Integrating the BBAC throughout the course was a great opportunity heightened awareness of the collection and how it can be useful to faculty and students).
• Embedding the librarian throughout the course experience and working alongside the students on projects allowed me to gain a much greater appreciation and more focused view of the experiences and needs of the students and faculty.
• Embedding in the course and creating alongside the students and professor gave me valuable experience as a practicing artist in book arts (where previously I had just been involved from an academic and curatorial perspective).
• Sharing this experience allowed me to build strong relationships with the students and professors (including other professors who sat in on the class or who hovered nearby, intrigued by all the excitement) and has resulted in a number of other collaborations, working relationships, and opportunities.

Sha Towers
Art Liaison Librarian and Director of Liaison Services
Baylor University Libraries, Waco, Texas

manuscripts and melismas

Today I worked with Jann Cosart and her Medieval music history course to facilitate the exploration of Baylor’s Medieval music manuscript collection (the Jennings Collection). It’s always a joy helping introduce students to these amazing artifacts, dating from the 11th to the 16th centuries. It’s hard to get their heads (and mine too!) around the idea that we’re looking at a document that’s nearly 1,000 years old.

For whatever reason, sleep slipped out of my grasp about 4am this morning and no matter how much or how long I tried, I couldn’t go back to sleep. Instead I got up and relished the quiet, dark, drinking an unhurried cup of coffee and re-acquainting myself with a book I rediscovered on our bookshelves just yesterday but fondly remembered from fifteen or so years earlier. The book was Meditations On the Monk Who Dwells in Daily Life by Thomas Moore.

Two meditations caught my eye as I thought about meeting with the class today:

What is the difference between an illuminated manuscript created by a monk and a page freshly spewed out of a modern word processor? The computer page is eminently legible, quickly produced, perhaps beautiful, and created by the collaboration of human and machine. The illuminated page is beautiful, slowly produced, not terribly legible, and printed in solitude. The monk works with his hand, close to his ink, ready for a slip of the pen, meditating as he works. Is there a way to bring the spirit of the monk to the computer, and by extension to all our machine work, without making either an anachronism?

And one that was perfectly fitting for the day and the way it started:

Sometimes in their chanting, monks will land upon a note and sing it in florid fashion, one syllable of text for fifty notes of chant. Melisma, they call it. Living a melismatic life in imitation of plainchant, we may stop on an experience, a place, a person, or a memory and rhapsodize in imagination. Some like to meditate or contemplate melismatically, while others prefer to draw, build, paint, or dance whatever their eye has fallen upon. Living one point after another is one form of experience, and it can be emphatically productive. But stopping for melisma gives the soul its reason for being.

making a difference

Today I received an email from a student that caused me to stop and reflect. Well, to be fair, I read it and quickly shot off an email response and didn’t give it much thought. But then it occurred to me that there’s plenty to reflect on here. First, I’m not at work today (well not the usual sense of work)- I’m in another state, at a library conference. So kudos to me for my timely response to a “reference question”, right? [insert glowing compliments here].

But more importantly, the question tells a story. The question came from a music grad student at Baylor with whom I’d worked in the past. Each Fall, for more than a decade, I’ve been fortunate to be a part of the School of Music’s graduate research methods course, working alongside wonderful colleagues from the SOM who see the value of libraries and librarians and who are willing to share the stage with me to help guide their students through the morass of electronic tools and resources that can help them navigate through the metaphoric sea of information. More on that later.

Here’s the email I received (name withheld to protect the innocent) and below it, my reflections.

From: IDENTITY REMOVED@baylor.edu>
Date: April 11, 2013, 2:55:54 PM EDT
To: “Towers, Sha”
Subject: Google Reader is closing!

Hey Sha,
You got me hooked on Google’s RSS in Research Methods last semester and now they’re closing it! I’m heart-broken! It’s so sad. What am I supposed to use now? What would you recommend?

Anyway, I hope you’re having a great day!

As I thought more about this email, there were several things that stood out to me.

  • That the student paid attention to what I was teaching (that is amazing enough!)
  • That nearly a year later, she remembered it was me that taught her about this tool
  • That it made a difference for her way beyond the assignment and the course
  • That she turned to a librarian to help her with the next chapter of her information gathering needs
  • BTW, I told her to check out Feedly.com – where I just finished moving my own google reader universe.

    So you if you’re still reading and you happen to remember (or glance back up at the title of this blogpost), you’re probably thinking I’m patting myself on the back for “making a difference” in the life of this student. But that’s only part of the story. The other part is that this email, this experience of helping people, this “being a librarian” is rewarding…fulfilling…meaningful. This email made me stop and realize that this work, this job, this vocation, makes a difference to me.