The seeds of an exciting journey

Since the spring, a lot of my thinking and energy has been devoted to the development of an exciting new endeavor in the Baylor Libraries – the creation of the Book Arts and Letterpress Lab. The spring and this summer have been busy developing the space (on the first floor of Jones Library) and the concepts behind this space. Part of this journey was attempting to articulate the What and the Why of this idea.
Often when people learn about the Book Arts and Letterpress Lab that we’re building, the response is in ONE or BOTH of the following camps:

“That’s amazing! When do we start?” and “What does this have to do with libraries?”

To set the stage for my musings on the Why, I want to share with you a couple questions that I think about a lot that help shape my thoughts on this topic – questions I would encourage you to think about from your own perspectives on your work and what you do.

What do we want this place to be known for?

What things are happening here in the libraries that manifest the role of research and engagement on campus?

To preface why we’re starting this lab, I want to first talk about “library as place.” I’m using the word “place” to mean the intersection, interconnection of geographical and philosophical spaces and opportunities (think events, workshops, collaborations, teaching/learning moments, and conversations (formal and informal).

I see library as a place:

  • for community and creativity
  • for experimentation and collaboration
  • of belonging and flourishing
  • to engage with ideas and with others
  • for active learning and transformational education

In earlier centuries, we might define library as the repository of humanity’s recorded communication. Some might argue that this is still the definition, but as we think about the miles of shelves full of printed matter, I would suggest that these artifacts are, in and of themselves, the final iteration of creative practice – a record of someone’s research, documentation, poetry, novels, or ideas. And in an academic library especially, these recorded ideas — these artifacts — are part of a larger, ongoing iteration as others engage with, refute, support, or build upon them. 

The books and journals that sit seemingly static on the shelves are both the result of creative practice and are building blocks for more creative practice. These materials as well as all the recorded information that exists online, reflect this same activity of creative practice, though the practice might be invisible.

This is why you’ll see visible signs of other kinds of creative practice throughout the Baylor Libraries (like in galleries and exhibition spaces and makerspaces), to remind us that creative practice comes in many different forms and the library is a perfect reflection of that, not just a storage facility. 

It’s a place that illuminates and celebrates all forms and stages of scholarship and creative practice. This is precisely why I believe makerspaces make perfect sense in libraries and the new Book Arts and Letterpress Lab is another example of that – with clear historical connections to the history of recorded communication and creative practice with which libraries have always been connected. 

So why are we creating a Book Arts and Letterpress Lab? 

In addition to the reasons listed above, I think the creation of this lab is also a response to the university’s focus on transformative educational experiences for Baylor students. I would add that I think it’s just as important that this focus also creates ripples that even the rest of the community can benefit from as well.

The vision for the lab is to:

  • Support the integration of literacies and active learning experiences into the curriculum – specifically in the technologies and histories of communication, printing, and the book,
  • Serve as a working model of printing practice and history that ushered in a pivotal chapter in the creation, documentation, and dissemination of knowledge and human expression, and
  • Serve as an experiential lab where users can create their own expressions rooted in the rich heritage of the book and printed communication and a place to learn about the history and craft of book arts and letterpress printing.

Some have asked (for various reasons) why this lab isn’t in the art department. It’s a great question and the art department could certainly support such a creative space, but such a space in the art department would be for art students. Creating this lab in the library puts it on neutral ground and makes the resources and opportunities available to the entire Baylor community and students of all disciplines, just like all the other spaces and services of the University Libraries.

My hope for this lab is that it provides all of the expressions in the above vision for the lab, but also serves as another window to how the library can provide tools and spaces for manifesting the role of research, engagement, and creativity on our campus.

POST SCRIPT

I want to share a story of the naming of this new adventure that I think really reflects what we’re seeking to create. Initially I thought we should name it something like “The Center for Letterpress and Book Arts” as this space will provide the tools and experiences in letterpress printing and other realms of book arts. After mulling over this potential name, my colleague Jeffry Archer (Dean of University Libraries, Museums, and the Press) said [something like], “I was thinking about the word “center” and to me it implies a place to learn about something and that doesn’t quite capture what I think you’re trying to create here as a place for “doing” rather than just learning about.” We talked about how the word “studio” seems like more of a label you would see if this were in an art department and then said, “What about this — you know how you might have a physics class where you go to a lecture hall and learn ABOUT physics, but then you go to the physics lab where you actively DO experiments (the practice and work of what you learned about)? What if we use the word “lab” to reflect the idea that this is an active space. Not a museum on the history of printing or the book or book arts, but a place where people will be actively creating?” I thought this was brilliant! (not just because he’s my boss!) I really do like how the word “lab” embraces the act of practicing what you’ve learned about as well as the experimentation I envision for this space. A place to learn, experiment, practice, and create.



Artist’s book accepted to juried gallery exhibition

I’m excited to share with you all that my artist’s book _We Are Writing These Things_ has been selected for a juried gallery exhibition at Galaudet Gallery (Chicago and Eau Claire, Wisconsin). The show is called Sense of Place: HERE and will run from 1 June to 25 September 2018. Over 650 artworks from over 250 artists were submitted for this show, so i’m thrilled to have been accepted.


#artistsbooks #calligraphy #handlettered #watercolor #sumi #wacocalligraphyguild #baylorlibraries #baylorbookarts #createeveryday @baylorlibraries @baylorbookarts

wonderful interview with an artist and letterpress printer

http://www.commarts.com/column/stop-calling-yourself-creative

One of my favorite quotes from this interview:

“One does not master skills. Skills allow one to interpret the world. There is an energy that flows throughout life, and skills help you understand that energy. So, I have no desire to master anything. I wish to experience it with wonder.” -Amos Paul Kennedy, Jr.

Baylor Department of Art Photography Print and Portfolio Sale

reposting for my friends in the art deparment!

2015photoprintsale

2015printsaleWhen: Monday, December 7, 2015 at 5:30pm-7:30pm
Where: Hooper Schaefer Student Lounge
Come check out the latest work created by Baylor University photography students. Come join us for creative art, stimulating conversation, and good food. All prints are available for purchase. The event is free and the experience priceless.

KnownUnknown selected for more gallery shows

I’m thrilled to announce that my artist’s book, KnownUnknown has been selected to appear in two more juried shows after it’s debut in the Ideation Experience show at Abecedarian Gallery in Denver this summer.

My book is currently part of Words|Matter: A Library for Artist’s Books exhibition in Chicago (October 3-29) and was also chosen to appear in Blood Quantum (November 6 – December 19) at 23 Sandy Gallery in Portland, Oregon.

I am honored to have been selected for these three juried shows alongside many well known book artists that I admire and have collected as part of the Baylor Book Arts Collection.

Shā Towers
Art Liaison Librarian and Director of Liaison Services
Baylor Libraries

An embedded librarian

In the spring semester of 2015, Baylor University offered its very first book arts course, “Typography and the Artist’s Book” (ART 4338). For this upper level elective, Virginia Green (Associate Professor, Graphic Design) and I planned the course in such a way that students would gain experience creating a number of artist’s books in various structures. In preparation for their own projects, we planned several visits to the Baylor Book Arts Collection (BBAC) for the students to experience and study various structures. My position as art liaison librarian and curator of the BBAC has enabled me to develop valuable connections in the book arts world. Throughout the semester, I was able to integrate several opportunities for the students to engage with book artists, gallery owners, and dealers from across the country. Bill and Vicky Stewart of Vamp & Tramp Booksellers (Birmingham, Alabama) came to campus and exhibited works by numerous book artists with particular emphasis on some of the types of projects the students were working on. Peter and Donna Thomas (Santa Cruz, California) gave a public talk about artist’s books, held a workshop with the class, and led a paper making experience. Alicia Bailey of Abecedarian Gallery (Denver, Colorado) shared her works with the students, talked about her work as an artist, and led a creative writing experience. Alicia worked with us to shape the final student project that would be submitted to a juried exhibition this summer where the works were all based on the Julie Chen and Barabara Tetenbaum’s Artist’s Book Ideation Cards. Even Virginia and I created artist’s books for this show! As the art liaison librarian, this was a great experience for at least five reasons:

• Collaborating with faculty to design and enrich the course was rewarding and helpful in strengthening the relationship between librarian and teaching faculty.
• Integrating the BBAC throughout the course was a great opportunity heightened awareness of the collection and how it can be useful to faculty and students).
• Embedding the librarian throughout the course experience and working alongside the students on projects allowed me to gain a much greater appreciation and more focused view of the experiences and needs of the students and faculty.
• Embedding in the course and creating alongside the students and professor gave me valuable experience as a practicing artist in book arts (where previously I had just been involved from an academic and curatorial perspective).
• Sharing this experience allowed me to build strong relationships with the students and professors (including other professors who sat in on the class or who hovered nearby, intrigued by all the excitement) and has resulted in a number of other collaborations, working relationships, and opportunities.

Sha Towers
Art Liaison Librarian and Director of Liaison Services
Baylor University Libraries, Waco, Texas

my first artist’s book: KnownUnknown

In my role as the fine arts librarian at Baylor University, I’ve been building a teaching collection of artist’s book over the last eight years that now totals about 700 titles. You can see more about the collection here.

I have just completed my own artist’s book, entitled KnownUnknown, which is on it’s way to a gallery exhibition in Denver (Abecedarian Gallery). The show will include about fifty works from artists around the world, including several other first timer artist’s books exhibitors from Waco.

Working on my own artist’s book is something I’ve been chewing on for several years and I appreciate the encouragement of the many artists, book arts dealers, and colleagues. I also appreciate my wonderful partner, Ann, for her patience during the countless hours away from the family that this project demanded.

KnownUnknown explores the fragmented realities wherein the people around us are both known and unknown. Pairing stories of a grandfather I never knew and glimpses of people known through social media, this work illuminates the dichotomy of knowing intimate details of someone while at the same time knowing little or nothing of substance about them.

The work was created at BlackHare Studio, in Robinson, Texas. Type was handset using Cloister Lightface, Univers, & Franklin Gothic. Letterpress printed on a No. 4 Vandercook press. Pages include image transfers & hand drawn icons. Outer structure incorporates acrylic monoprinting (with color choice referencing the social media spheres contained in the texts).

I chose the blizzard book structure (invented by Hedi Kyle) for this work because it afforded the reader control over the order of the fragmentary texts rather than a linear, fixed order.

While much of the text was self-generated, some came from personal archival documents related to my grandfather and some came from posts on Facebook and Twitter. My image collaboration included photographs taken by various and unknown photographers. I also collaborated with letterpress printer and fellow exhibitor Virginia Green on setting type and printing.

KnownUnknown was designed using the Artist’s Book Ideation Cards by Barbara Tetenbaum and Julie Chen. Randomly selected in various categories, the Ideation Cards provide prompts in various categories. Cards used for this project included: PAPER (pretreated), LAYOUT (minimal or restrained), IMAGE (collaborate with another artist), TEXT (self generated), TECHNIQUE (mixed media), COLOR (single color), and STRUCTURE (accordion… ed. note: hidden at the core of the blizzard book structure!). From deck two of the Ideation Cards (Adjectives), I drew cards containing the following that I incorporated into this project: mysterious, fragmented, pocketed, and self reflexive.

Images of the completed work (photo credits: Bob Smith)

S-Towers-Known-Unknown-1

S-Towers-Known-Unknown-2

S-Towers-Known-Unknown-3

S-Towers-Known-Unknown-4

Taking over our kitchen to finish up parts of the project!

IMG_6783

Acrylic monoprinted covers drying:

IMG_6767

IMG_6766

Setting type at BlackHare Studio:

IMG_6737

IMG_6736

IMG_6735

IMG_6734

The first proof sheets (where all the errors in the typesetting you thought was perfect show up!):

IMG_6731_2

Text blocks for the project:
IMG_6730_2

IMG_6729_2

IMG_6728

Where I spent countless hours setting type!

IMG_6727_2

IMG_6712_2

IMG_6711_2

IMG_6710

Examples of early image transfer tests for images used in the book:

IMG_6596

IMG_6595