It would seem the David Fincher’s moody visual proclivities and fascination with the more disturbing impulses in human nature (particularly anger and obsession) would be in direct conflict with the mushy temperament of Eric Roth’s screenplay, but in fact they intertwine quite harmoniously, turning the film into a fascinating paradox. Fincher emphasizes the isolating nature of Benjamin’s curious backward-aging progression through life, which makes his romantic travails and life lessons more poignant and meaningful, especially in the way they affirm the bittersweet truth that happiness is always fleeting. (Starplex 16, Waco, TX)