Reverse Outlining for Effective Revision

By Reilly Fitzpatrick, Consultant

Perhaps even more than the actual drafting process, revising your writing can be challenging and intimidating. As a writer, I feel pretty confident about my ability to go over my sentences with a fine-tooth comb and correct typos, resolve grammatical errors, or improve my word choice. However, trying to make big-picture edits—things like paper organization, cohesive argumentation, paragraph structure, and the ever-elusive pursuit of “flow”—often seems much more overwhelming to me. Is this true for you?

One of the strategies I have implemented in my own writing process, as well as when I teach revision practices to undergraduates, is reverse outlining. Reverse outlining is exactly what it sounds like: it is the process of creating an outline of your paragraph or paper in reverse, once you have already written it. Most of us use an outline when we write our original draft, but reverse outlining helps you to identify and analyze the specific goal of each paragraph and sentence in light of your overarching objective for the paper and evaluate how effectively you are accomplishing those goals. Reverse outlining is a practice that allows you to revise your writing on both a paragraph and sentence level, but more importantly, it gets you to think about your writing choices, not just what you are arguing.

While the writing process is rarely formulaic, reverse outlining is a strategy that works best with a checklist. Here’s a step-by-step guide to reverse outlining and revising your writing that I’ve created based on my own writing and teaching experiences. You’ll notice that most of these steps prompt you to answer questions about your writing, which means that your progression through the reverse outlining process will vary based on your answers and you will end the reverse outlining process with reflection and revision that is tailored both to your project and your individual writing style.

  1. Choose a paragraph to reverse outline. Usually this process works best if you make your way through your paper chronologically, but you can also jump right to a problem paragraph if you’re short on time!
  2. Start a page of notes where you will answer the following questions. These notes will ultimately constitute your reverse outline and help you identify strategies to revise.
  3. Without re-reading the paragraph you’ve chosen, write down what you think the main idea of this paragraph is. What are you trying to explain, argue, or persuade the reader of?
  4. Next, write down how this paragraph connects to your thesis as a whole. Why is it important to include this paragraph? How does it help you accomplish your overarching goal in this paper?
  5. Now, let’s look at the paragraph itself. Start with the topic (or first) sentence: what does it communicate to the reader? Write this down. Remember, topic sentences need to articulate 1) the main idea/claim of the paragraph, and 2) how it relates to your thesis. Hint: You just identified both of those goals in steps 2 and 3, so make sure they match up with your topic sentence! If they don’t, think about how you might rewrite your topic sentence to more effectively meet these goals.
  6. Move on to the next sentence in your paragraph and identify the goal of the sentence. Remember to think about the goal of the sentence not in terms of content (What am I saying here?) but rather structure (Why am I saying this here?). Here are some possible goals for sentences in your paper. Does the sentence…
    a. Provide context for the main idea of the paragraph to my reader?
    b. State my sub-claim and how it relates to my thesis?
    c. Summarize my stance on the topic?
    d. Explain what a scholar has to say about this idea?
    e. Provide evidence (like a quote, statistic, or example) to support a claim I am making in this paragraph?
    f. Explain how a direct quote or paraphrased idea from a source is relevant to my claim?
    g. State how my claim is different from other scholars’ arguments?
    h. State how my claim relates to an idea I discussed in a previous paragraph?
    i. Something else?
  7. Once you have identified the goal of the sentence, ask yourself these questions:
    a. Does the sentence actually accomplish its identified goal?
    b. Does this sentence directly connect to the main idea of this paragraph as I have identified it in the topic sentence, or does it contain ideas that are irrelevant or tangential?
    c. Does this sentence fully explain an idea, or does it need to be developed further (either by expanding the sentence or adding another sentence)?
    d. Is this sentence necessary in this paragraph, or could it be combined with another related sentence or deleted altogether?
    e. How can I revise this sentence to be clearer, more relevant to the main idea of this paragraph and my thesis, and more persuasive?
  8. Repeat steps 5 and 6 for every sentence in your paragraph, answering each question for the sentence in your notes.
  9. Once you reach the final sentence of your paragraph—the transition sentence—ask yourself these questions. (Remember, sometimes you will need more than one transition sentence at the end of your paragraph in order to accomplish all of these goals!)
    a. Does this sentence sufficiently summarize the main idea of this paragraph and remind the reader of what I have argued in it?
    b. Does this sentence connect the main idea of this paragraph back to my thesis?
    c. Does this transition sentence guide the reader from the main idea of this paragraph to the main idea I will discuss in the next paragraph?
  10. Now that you have finished reverse-outlining your paragraph on a sentence level, answer these questions about the paragraph as a whole:
    a. Is this paragraph accomplishing what I need it to in this paper? Does it clearly connect to my thesis? Is it necessary to prove my argument?
    b. Do I have one main idea in this paragraph, or do I jump around between several ideas? Does my topic sentence reflect this main idea and remind the reader of how this idea connects to my thesis, or does it just generally state the topic?
    c. Do I fully explain, argue, and support my sub-claim in this paragraph? What do I need to add in order for my paragraph to be persuasive—more explanation of my stance, more evidence from sources, or more background information?
    d. Does this paragraph repeat any information or ideas I have already talked about in another place? Which place makes the most sense for me to include that content?
    e. Does this paragraph need to be combined with another paragraph or split into 2 or more paragraphs? Does this paragraph need to be longer or shorter?
    f. Where is this paragraph placed in my paper? Does it work where it is, or does it need to be earlier or later in the paper?
  11. Repeat these steps to reverse outline your next paragraph!
  12. After you have made a reverse outline of every paragraph in your paper, think about the quality and quantity of paragraphs you’ve written. Do you feel confident that your thesis has been effectively explained, argued, supported, and proven? Have you noticed any gaps in your argumentation or methodology? Do your introduction and conclusion accurately predict and reflect the actual content of your paper? Have you considered all the perspectives on your topic and sufficiently surveyed the scholarly conversation related to your claim? As you became the reader (or the audience) of your own writing, what did you notice about your clarity, persuasiveness, and tone? What are some aspects of your writing that you would like to change or improve as you revise this paper and work on other projects?
    Space

Once you’re done reverse outlining your paper, take a step back and reflect on what you learned. What have you noticed about yourself as a writer? Are there specific writing strategies or skills that you are especially good at? Are there patterns in your paper that indicate a skill you need to develop? How might you adjust your writing or revision processes in the future based on what you have learned? While you might want to jump right into revisions, spending some time reflecting on your writing personality and processes will help you become a more competent and confident writer in the future.

Writing the Literature Review: The QuiltWork Method

Photo by Dinh Pham on Unsplash

by Kristin Huggins, Consultant

It is highly unusual to meet someone in academia, be it a student or professor, who genuinely enjoys the prospect of writing a literature review. Thesis, dissertation, journal article, program assessment – the medium matters not. The quintessential literature review has a singular way of unifying individuals across all disciplines and all levels of research. Someone whispers its name into the bleak unknown. All hold their breath in response, hoping it will pass over their doorstep like an academic Angel of Death.

Despite your feelings on the subject, all graduate students must write an exhaustive, cohesive literature review at some point in their academic careers. While daunting, this task need not be completed at the expense of blood, sweat, and tears. Finding an effective writing method can easily reduce your writing workload (and subsequent anxiety) from an Everest into a molehill. Or several molehills, in this case.

 

Enter the QuiltWork Writing Method.

The QuiltWork Method was born as an act of desperation while deep in the throes of writing my first dissertation draft. With deadlines looming and candidacy standing in the shadows of the doctoral guillotine, I knew that a linear approach to writing my literature review wouldn’t get me there fast enough. My topics were too broad, my sources too interdisciplinary – I found myself missing key points in articles that had already been “assigned” to other sections of my review. I was trying to create a blanket with one fell swoop, by synthesizing all of the scholarship of my topic at once. And it wasn’t working. I needed to instead step back and approach the literature review the same way my grandmother approached her sewing projects: one square bit of fabric at a time.

So I stopped. I saved my work. And started from scratch. Here was what I tried instead:

Step One: Write an Outline. It doesn’t matter if you rewrite this ten times over. Get an outline on the page. What are the main sections of your literature review? Are you following a narrative model (broad to narrow topics) or a systematic model (individual topics that together form a cohesive argument for your study)? Start there. Every project, no matter how small or large, needs a vision (or a Pinterest board).

Step Two: Prepare your Word Documents. Open a series of blank Word or Google documents. The number you open should match the number of literature review sections you outlined in Step One. If you are working on a small laptop, you may also consider keeping them minimized until needed to maximize screen efficiency. Do not include your Introduction or Conclusion, since these will be written once you’ve completed your Literature Review.

Step Three: One Source at a Time. Unlike a traditional linear writing process, you are no longer trying to spin paragraphs out of thin air. With QuiltWork writing, you go through each source one by one and read for key points and quotes. As you come across these points in your reading, open up the word doc that represents that literature review section and write. How is this relevant to your study? What does this remind you of? Do you need this quote? Be sure to include the full citation at the top of the blurb before you begin, and place in-text citations throughout. This will alleviate many headaches later when you patch these quilting squares together.

***Note for Step Three: If Source #1 has a point that works for Section A and Section D, place it in both! Isn’t the purpose of a literature review to provide an exhaustive, synthesized perspective of the existing scholarship? This method encourages this idea of scholarly flexibility, acknowledging that one source can be used in many different ways if given the right lens. Many times, I found that one source possessed data that could be applied to nearly every section in my literature review!

Step Four: Rinse, Wash, Repeat. Continue to repeat Step Three with every source you have. That’s right – every single one. Eventually, you’ll begin to make connections. Your documents might take on a note of free flow synthesis without you even realizing it.

Step Five: The Inquiry. Once you have worked through a large portion of your sources, I would recommend going back through each document and asking these questions: Which ones are filled to the brim with pages and pages of content? Which ones are still lagging behind? Do you need to shift your focus and feed the smaller ones with new sources? How many quotes have you found for each section? Do you need more? Less? Have you included citations for all of your work? Go back and check each one before moving on. These questions will guide you as you begin to refine your sections into veritable reservoirs of empirical evidence to support your study.

Step Six: The Great Gathering. You now should have 3-5 documents filled with quality content. At this point, you may see themes emerge in these documents. Identify the themes and work to craft stellar topic sentences out of them. These topic sentences are the seams that will bind the writing you’ve already accomplished.

 

At this point, you will find yourself edging closer and closer to writing a traditional paragraph. After you’ve completed Step Six, take the leap! You now have a clear idea of what you want to say in each section, which sources are key contenders in these debates, and how you plan to synthesize these works across the various sections of your literature review. You may now commence with sewing your quilting squares together to form the Great Blanket.

I do not profess to be a great seamstress, nor do I consider myself a great writer. But this small writing hack, created out of desperation and fear, allowed my brain to finally put words on the page. And as many of you know, getting words on the page is perhaps the biggest challenge of all.

You can do this. You can write this. How do we quilt a blanket? One square at a time.

Happy writing to you all!