Two [Stories] Diverge…

Wide Sargasso Sea answers, and yet continues to raise, many questions concerning the case of Antoinette Mason, as it offers a very dissimilar account of Rochester’s marriage to Bertha from the narrative he paints for Jane in Jane Eyre. Though Rochester himself recounts both versions of the history of his courtship and marriage to Bertha, his accounts contradict each other at many points.To begin, in Jane Eyre, Rochester tells Jane that he was originally ignorant of the money that would be gained through this marriage: “My father said nothing about money, but he told me Miss Mason was the boast of Spanish town for her beauty” (Bronte 395). However, in Wide Sargasso Sea, Rochester’s mental rough draft letter to his father implies that the money had been discussed between them prior to the courtship and marriage, for Rochester imagines informing him “the thirty thousand pounds have been paid to me without question or condition” (Rhys 41).

Next, the details concerning the courtship itself also contrast. When telling Jane of the event, Rochester implies the period was brimming with festivities and parties and that “all men in her circle seemed to admire her and envy me” (Bronte 395). In Wide Sargasso Sea, Rochester informs the reader that he “was married a month after [he] arrived in Jamaica and for nearly three weeks of that time [he] was in bed with fever” (Rhys 39). Neither does Rochester mention any social gatherings or any contenders for Antoinette’s affection. Likewise, Antoinette’s account of her society, at least the society knew before attending the convent, was very scarce. The peers she did speak of, whether black or creoles like herself (such as the red-haired boy who pestered her on the walk to the convent) treated her with more indignation and disgust than adoration.

In Jane Eyre, Rochester describes himself as having been originally “dazzled” by Antoinette, and he confesses that he thought he loved her. He implies this period of infatuation endured throughout their honeymoon, the end of which Rochester marks as the moment he “learned [his] mistake” (Bronte 395). The first few pages of Part II in Wide Sargasso Sea submit an altogether divergent illustration of Rochester. He presents himself as one who already seems disinterested in his wife and whom has already given up on the marriage. As they arrive to their final honeymoon destination, he describes himself “watch[ing] her critically”, rather than gazing after her in admiration (Rhys 39). He notes that her “pleading expressions annoy [him]” and, upon entering Granbois— their honeymoon home— immediately identifies the writing desk as a potential place of refuge (Rhys 41). Refuge from what? His new wife? More concerning, however, is his comment concerning his wife’s bedroom. Rochester expresses feeling unsafe, and surveys the room “suspiciously” before comforting himself by the notion that ‘the door into her room could be bolted, a stout wooden bar pushed across the other” (Rhys 44). This surprising comment, as well the myriad of contradictions between his two tales, imply that Rochester knew more about Antoinette Bertha Mason as he entered the marriage than disclosed to Jane.

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