Texas Over Time: Brazos Valley Cotton Oil Co. to Magnolia Market at the Silos in 2020

 

By Geoff Hunt, Audio and Visual Curator, The Texas Collection, Baylor University. 

Texas has changed quite a bit over the years, as is readily seen in our vast photograph and postcard collections. To help bring some of those changes to life, we’ve created a “Texas over Time” blog series that will illustrate the construction and renovations of buildings, street scenes, and more. Our collections are especially strong on Waco and Baylor images, but look for some views beyond the Heart of Texas, too.


Magnolia Market at the Silos on Sixth Street and Webster, Waco, TX., Fred Gildersleeve image, 1920. General Photo Files-Brazos Valley Cotton Oil Company; recent photo of same by G.H., 2020. Note: the Silos Baking Co. building on the corner is one of the original structures.  


BRAZOS VALLEY COTTON OIL CO. TO MAGNOLIA MARKET AT THE SILOS IN 2020

Cotton was once Waco’s biggest industry. The rich soil in and around McLennan County, with its Blackland Prairie’s, facilitates the growth of this once abundant local crop. The city had multiple cotton mills, yards, and a railroad system to transport the crop across the country. Cotton by-products such as oil from the seeds were also manufactured in the city. Cottonseed oil is used in industrial and culinary applications (cooking oils) and was in very high demand in the first half of the 20th century. In 1910, to help meet this demand, Waco businessman J.T. Davis started the Brazos Valley Cotton Oil Company–now the present day site Magnolia Market at the Silos.

Vast storage and processing facilities were needed for production and the company occupied the entire block within Webster, Jackson, Sixth, and Seventh streets in Waco. At times, it employed up to 75 workers. In 1949-1950, after several devastating fires and storage mishaps in their buildings, the company built two large 120-foot-tall storage silos. Although ownership changed, B.V.C.O.C. remained in operation into the mid-1960’s. After this time, the facility was used for storage by JPM Feeds. However, It remained unoccupied for years and saw little use until the property was purchased by Waco’s Chip and Joanna Gaines in 2014. It soon became one of Texas’ biggest tourist attractions and Magnolia Market at the Silos still attract thousands of visitors to this site. Through The Texas Collection’s photographic archive, see how this old Waco manufacturing facility evolved and has changed over time into 2020!

Brazos Valley Cotton Oil Company throughout the decades and Magnolia Market at the Silos in 2020. “The company occupied the entire block within Webster, Jackson, Sixth, and Seventh streets in Waco, TX.” General Photo Files: Waco Aerials (cropped), Google Earth 2020. 


Works Sourced:

“Brazos Valley Cotton Oil Firm Sold,” The Waco Tribune-Herald, July 13, 1958.

Burke, Anabel. “Magnolia Market at the Silos”Waco History. Retrieved 2020-06-11.

“Brazos Valley Cotton Oil Mill | Waco History”Waco History. Retrieved 2020-06-11.

Historic Preservation at The Texas Collection

May is Historic Preservation Month. To learn more about the history of National Historic Preservation Month check out this National Park Service web page: https://www.nps.gov/subjects/historicpreservation/national-historic-preservation-act.htm.

When people think of historic preservation, the first thought is generally of large, grandiose buildings in need of repair. Historic preservation encompasses not only architecture, but culture, religion, archaeology, place, people, and other related topics. It can be achieved through a variety of methods such as repairing historic buildings, reenactments, historic dance and music, and digitizing fragile and/or popular material that cannot withstand excessive handling.

The Texas Collection provides historic preservation through archival and print materials. In doing so, access and education are provided to a larger audience, two of the primary purposes for this type of work. Read on as our staff shares projects they have worked with and tips to keep in mind for your own preservation needs.

Paul Fisher, Assistant Director and Processing Archivist:

Many Texans and Texas groups have supported historic preservation through the years. Several of our collections document these activities, such as the Adina E. De Zavala papers. De Zavala was a noted historic preservation figure in San Antonio in the early 1900s.

Baylor University was founded in Independence, Texas. Texas Collection staff works with various partners in Independence to operate two historic sites as well as a visitor center. Visitors learn about early Texas history, historic preservation efforts, and the history of higher education in Texas.

Sylvia Hernandez, Archivist

The Ima Joy Chodorow Gandler Texas Jewish collection is one of twenty-four collections at The Texas Collection documenting the Jewish Community in Waco. Even with all the information provided, there are still gaps, mainly with the photographs.

*Pro Tip* Label photographs with names, dates, and events depicted.

Geoff Hunt, Audio and Visual Curator:

Image of Gildersleeve glass negative with ruined emulsionIn the early 1970s, Roger N. Conger donated Fred Gildersleeve’s film archive to The Texas Collection which included approximately 1,100 glass, 8×10 negatives. They had been stored in a backyard shed for decades and were damaged by the extreme heat of Texas summers. Since then, we have carefully gone through each one of Gildersleeve’s negatives, placed them in acid-free, archival folders and boxes, and have stored them on heavy-duty shelving in a climate-controlled environment. This ensures proper long-term preservation so future generations can enjoy this rich collection as much as we do!

The glass negative in the picture demonstrates this damage where a portion of the silver-gelatin emulsion layer heated up and chemically bonded with another glass negative stacked above it. Despite this, the image is still a valuable part of the collection, as much of the picture is still intact. (Waco Old Corner Drug Store, c. 1911. Gildersleeve-Conger collection, The Texas Collection, Baylor University).

Amie Oliver, Associate Director and Librarian/Curator of Print Materials

Do not use nails to bind a book. Several years ago, we had an annual that we could not open because the binding was too tight. We sent it to the campus preservation specialist who discovered nails, which had rusted, had been used to rebind the item. He carefully removed the nails, and because the spine was destroyed, created an acid-free phase box to house the annual.

*Pro Tip* Protect materials (books, photos, documents, etc.) by keeping them cool, dark, and dry. Sunlight can irreversibly fade items and heat can cause them to degrade quickly while moisture invites mold.

Brian Simmons, Coordinator for User and Access Services:

A common preservation issue that occurs is the use of adhesive tape to repair damaged books or documents. Often, I have come across items that have been repaired with cellophane tape decades ago. The repaired area is usually discolored and the piece of tape itself has fallen off. While tape might fix the problem in the short term, over time the adhesive can cause permanent damage.

*Pro Tip* Storing damaged items in an acid free box or folder is recommended. An acid free container will keep all parts of cherished heirlooms together without incurring further damage.

Benna Vaughan, Manuscripts Archivist:

The Texas Collection is home to the Marvin Griffin materials, a prominent African American pastor and activist. The collection contains an extensive amount of audio-visual materials: three compact discs, seven video tapes, 48 reel-to-reel tapes, and approximately 1,571 audio cassettes. In order to preserve these materials to provide access in a digital format, The Texas Collection is working with Digitization and Digital Preservation.

 

Texas Over Time: The McLennan County Courthouse, Waco, Texas.

 

By Geoff Hunt, Audio and Visual Curator

Texas has changed quite a bit over the years, as is readily seen in our vast photograph and postcard collections. To help bring some of those changes to life, we’ve created a “Texas over Time” blog series that will illustrate the construction and renovations of buildings, street scenes, and more. Our collections are especially strong on Waco and Baylor images, but look for some views beyond the Heart of Texas, too.Continue Reading

Texas Over Time: The Hammond Laundry Cleaning Machinery and Supply Company of Waco, Texas

By Geoff Hunt, Audio and Visual Curator

Texas has changed quite a bit over the years, as is readily seen in our vast photograph and postcard collections. To help bring some of those changes to life, we’ve created a “Texas over Time” blog series that will illustrate the construction and renovations of buildings, street scenes, and more. Our collections are especially strong on Waco and Baylor images, but look for some views beyond the Heart of Texas, too.Continue Reading

Fred Gildersleeve and An Amazing Journey

Format Gallery

by Geoff Hunt, Audio and Visual Curator

and John Wilson

Fred Gildersleeve, sister-Jessie Ellen Gildersleeve, mother-Sarah Pew Gildersleeve

The man who would become Waco’s most famous photographer, Fred A. Gildersleeve, was born near Boulder, Colorado, on June 30, 1880, to Captain Allen Jesse and Sarah Ellen Pew Gildersleeve. His father, Allen Jesse Gildersleeve was a Civil War veteran having served as a Union Army Captain in the Missouri Cavalry, 14, Regiment, Company D, and died in 1881 at the age of 46. After the father’s death the family moved to Kirksville, Missouri, near the mother’s family. There, young Fred attended the Model School (part of the Normal School) graduating at the age of 16. His photography career began at the age of eighteen when he was given a Kodak box camera by his mother. He photographed students at the school and sold them for twenty-five cents each. In 1903, Gildersleeve graduated from the Illinois College of Photography in Effingham, Illinois, and soon after, his career as a professional photographer began.

In 1905 Fred Gildersleeve came from Texarkana, Arkansas, to Waco to work in the photography business having had a brief photography career in that city. His sister, Jessie Ellen, arrived in Waco around the same time to work as a doctor of Osteopathy. Their mother, Sarah Gildersleeve later joined them and lived with her daughter. Fred married Florence Jennette Boyd on December 24, 1908, in Texarkana, Arkansas, who then joined him in Waco. They had no children.

Fred Gildersleeve became a pioneer in the field of industrial photography in Texas. Examples include his commercial photography from the air in the mid 1910s. He photographed oil fields in Mexia and took the first aerial photos known to exist of Baylor University. His ability to use magnesium powder to create “flashlight” to illuminate night-time photographs broke national records. His 1911 photo of Waco’s Prosperity Banquet set a record for being the largest flash photo ever at that time. The event seated 1200 people and ran the length of two city blocks. His skills at photo enlargement also set records. In 1913, he enlarged a panoramic photograph of Waco’s Texas Cotton Palace to 120 inches wide becoming the largest photo print made up to that time. He had a representative from Eastman Kodak in Rochester, New York, bring him the photo paper to do so. He also photographed the construction of the Amicable Life Insurance Company Building “Alico” in Waco. The structure, being 22 stories tall, held the title of being the tallest building in the Southwestern United States upon construction in 1911.Continue Reading

We Want That Picture! Fred Gildersleeve’s Record Breaking Texas Cotton Palace Print

By Geoff Hunt, Audio and Visual Curator

In 1905 or 1906, Fred Gildersleeve came from Texarkana, Arkansas to Waco to work in the photography business. He later became a pioneer in the field of industrial photography in the state. One of his more famous pieces of work was his enlargement of the Texas Cotton Palace Main Building in Waco, Texas. Shown is a picture of the enlargement being processed. At the time, this photograph set a world record among photo prints at 120 inches wide. A representative from Eastman Kodak personally delivered the large roll of photo paper it required and supervised the enlargement process. The photo was exhibited for some time until it was sold for $50.00 to the building’s architect, Roy Ellsworth Lane. Gildersleeve later recalled that was “a good price in those days…as you remember, at that time 1913 the largest enlargement ever made. Eastman Kodak sent George McKay to supervise this. It was written up in Studio Light Magazine and also used this photo.”Continue Reading