Artists’ books do change the conversation

Over this past year, I’ve had the distinct pleasure of working with my colleague Jane Carlin, who recently retired as Library Director of the Collins Library at the University of Puget Sound in Tacoma, Washington. She and I worked together on an essay that appeared in a 2023 exhibition catalog for a show at Collins: “Artists’ Books Do Change the Conversation.”. Changing the Conversation: Artists’ Books, Zines and Broadsides from the Collins Memorial Library Collection and another essay we’ve recently submitted for publication (stay tuned!) entitled “The power of artists’ books: catalysts for creative thinking across the curriculum”. This past summer I had the wonderful experience of jurying the exhibition Dreams: an International Juried Exhibition of Book Art with Jane and Erin Mickelson of 23 Sandy Gallery. Visiting with Jane and Erin in Tacoma and installing this show was a highlight of the summer. While there, I also had amazing visits with many Puget Sound artists.

Artist’s Books Exhibitions

While the pandemic has been difficult in many ways, it also provided space for reflection and renewal and sparked many new art works and projects for me including calligraphic, musical, and artist’s books.

Several of my artist’s books created over the last year have been selected for a variety of exhibitions, including invitational and juried shows, both national and international.

International Juried Exhibitions

National Juried Exhibitions

Invitational Exhibitions

Artist’s book accepted to juried gallery exhibition

I’m excited to share with you all that my artist’s book _We Are Writing These Things_ has been selected for a juried gallery exhibition at Galaudet Gallery (Chicago and Eau Claire, Wisconsin). The show is called Sense of Place: HERE and will run from 1 June to 25 September 2018. Over 650 artworks from over 250 artists were submitted for this show, so i’m thrilled to have been accepted.


#artistsbooks #calligraphy #handlettered #watercolor #sumi #wacocalligraphyguild #baylorlibraries #baylorbookarts #createeveryday @baylorlibraries @baylorbookarts

KnownUnknown selected for more gallery shows

I’m thrilled to announce that my artist’s book, KnownUnknown has been selected to appear in two more juried shows after it’s debut in the Ideation Experience show at Abecedarian Gallery in Denver this summer.

My book is currently part of Words|Matter: A Library for Artist’s Books exhibition in Chicago (October 3-29) and was also chosen to appear in Blood Quantum (November 6 – December 19) at 23 Sandy Gallery in Portland, Oregon.

I am honored to have been selected for these three juried shows alongside many well known book artists that I admire and have collected as part of the Baylor Book Arts Collection.

Shā Towers
Art Liaison Librarian and Director of Liaison Services
Baylor Libraries

An embedded librarian

In the spring semester of 2015, Baylor University offered its very first book arts course, “Typography and the Artist’s Book” (ART 4338). For this upper level elective, Virginia Green (Associate Professor, Graphic Design) and I planned the course in such a way that students would gain experience creating a number of artist’s books in various structures. In preparation for their own projects, we planned several visits to the Baylor Book Arts Collection (BBAC) for the students to experience and study various structures. My position as art liaison librarian and curator of the BBAC has enabled me to develop valuable connections in the book arts world. Throughout the semester, I was able to integrate several opportunities for the students to engage with book artists, gallery owners, and dealers from across the country. Bill and Vicky Stewart of Vamp & Tramp Booksellers (Birmingham, Alabama) came to campus and exhibited works by numerous book artists with particular emphasis on some of the types of projects the students were working on. Peter and Donna Thomas (Santa Cruz, California) gave a public talk about artist’s books, held a workshop with the class, and led a paper making experience. Alicia Bailey of Abecedarian Gallery (Denver, Colorado) shared her works with the students, talked about her work as an artist, and led a creative writing experience. Alicia worked with us to shape the final student project that would be submitted to a juried exhibition this summer where the works were all based on the Julie Chen and Barabara Tetenbaum’s Artist’s Book Ideation Cards. Even Virginia and I created artist’s books for this show! As the art liaison librarian, this was a great experience for at least five reasons:

• Collaborating with faculty to design and enrich the course was rewarding and helpful in strengthening the relationship between librarian and teaching faculty.
• Integrating the BBAC throughout the course was a great opportunity heightened awareness of the collection and how it can be useful to faculty and students).
• Embedding the librarian throughout the course experience and working alongside the students on projects allowed me to gain a much greater appreciation and more focused view of the experiences and needs of the students and faculty.
• Embedding in the course and creating alongside the students and professor gave me valuable experience as a practicing artist in book arts (where previously I had just been involved from an academic and curatorial perspective).
• Sharing this experience allowed me to build strong relationships with the students and professors (including other professors who sat in on the class or who hovered nearby, intrigued by all the excitement) and has resulted in a number of other collaborations, working relationships, and opportunities.

Sha Towers
Art Liaison Librarian and Director of Liaison Services
Baylor University Libraries, Waco, Texas

my first artist’s book: KnownUnknown

In my role as the fine arts librarian at Baylor University, I’ve been building a teaching collection of artist’s book over the last eight years that now totals about 700 titles. You can see more about the collection here.

I have just completed my own artist’s book, entitled KnownUnknown, which is on it’s way to a gallery exhibition in Denver (Abecedarian Gallery). The show will include about fifty works from artists around the world, including several other first timer artist’s books exhibitors from Waco.

Working on my own artist’s book is something I’ve been chewing on for several years and I appreciate the encouragement of the many artists, book arts dealers, and colleagues. I also appreciate my wonderful partner, Ann, for her patience during the countless hours away from the family that this project demanded.

KnownUnknown explores the fragmented realities wherein the people around us are both known and unknown. Pairing stories of a grandfather I never knew and glimpses of people known through social media, this work illuminates the dichotomy of knowing intimate details of someone while at the same time knowing little or nothing of substance about them.

The work was created at BlackHare Studio, in Robinson, Texas. Type was handset using Cloister Lightface, Univers, & Franklin Gothic. Letterpress printed on a No. 4 Vandercook press. Pages include image transfers & hand drawn icons. Outer structure incorporates acrylic monoprinting (with color choice referencing the social media spheres contained in the texts).

I chose the blizzard book structure (invented by Hedi Kyle) for this work because it afforded the reader control over the order of the fragmentary texts rather than a linear, fixed order.

While much of the text was self-generated, some came from personal archival documents related to my grandfather and some came from posts on Facebook and Twitter. My image collaboration included photographs taken by various and unknown photographers. I also collaborated with letterpress printer and fellow exhibitor Virginia Green on setting type and printing.

KnownUnknown was designed using the Artist’s Book Ideation Cards by Barbara Tetenbaum and Julie Chen. Randomly selected in various categories, the Ideation Cards provide prompts in various categories. Cards used for this project included: PAPER (pretreated), LAYOUT (minimal or restrained), IMAGE (collaborate with another artist), TEXT (self generated), TECHNIQUE (mixed media), COLOR (single color), and STRUCTURE (accordion… ed. note: hidden at the core of the blizzard book structure!). From deck two of the Ideation Cards (Adjectives), I drew cards containing the following that I incorporated into this project: mysterious, fragmented, pocketed, and self reflexive.

Images of the completed work (photo credits: Bob Smith)

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Taking over our kitchen to finish up parts of the project!

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Acrylic monoprinted covers drying:

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Setting type at BlackHare Studio:

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The first proof sheets (where all the errors in the typesetting you thought was perfect show up!):

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Text blocks for the project:
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Where I spent countless hours setting type!

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Examples of early image transfer tests for images used in the book:

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