Documenting 64 Years of Joyful Noise: The School of Music Performances Programs Collection is Complete!

Screen Shot 2015-07-20 at 3.40.10 PM

Header for Ann Northum’s performance program, March 28, 1950. See the whole program here: http://digitalcollections.baylor.edu/cdm/ref/collection/fa-somprog/id/620.

They were written on typewriters, word processors and laptops. Some used italicized fonts, others used “high tech” typefaces and the most recent ones feature the Baylor University Judge Baylor/Pat Neff Hall wordmark. They could be one page, two pages or dozens. In short, while the School of Music Performances Programs collection may seem like a one-trick pony, there are actually more than 8,000 ways to document and preserve the performances of Baylor’s musically inclined students dating back to 1950.

The completion of this project means 64 years’ worth of music performances are documented online for the first time in Baylor history. Prior to the digital collection’s unveiling, students and scholars had to request bound copies of the original programs – organized by year – and thumb through their pages until they stumbled upon the information they sought. Now, they can instantly discover any number of interesting things within the collection with a simple search, things like:

The number of performances at Roxy Grove Hall since 1950 (4,167 since 1957)

The number of times a student performed Bach’s Fugue in D Major (264 times)

How many performances are attributed to longtime faculty member Helen Ann Shanley (164)

The number of years carilonneur Joyce Jones performed at Baylor during her tenure (1969-2014)

What performance was scheduled for 8:00 PM on September 11, 2001 but was impacted by that day’s terrorist attacks in Washington, D.C. and New York City (“Baroque in the Browning” by Christina Edelen)

And more!

This project came about after a request from our colleagues in the Crouch Fine Arts Library who wanted to find an easier way for music students to access these important – but cumbersome, in their printed form – resources, and we worked for the better part of a year to digitized them, create separate PDFs from the volume-level books, generate original cataloging metadata and generally just push through the time-intensive process of getting them onto the web. The result is an easily searchable, robust collection that details the evolution of musical instruction on our campus dating back to the 1950s, with an aim toward adding each semester’s performance programs as they become available from here on out.

We encourage you to take some time to search through the School of Music Performances Programs collection and see what hidden gems you can find. And if you’d like to embarrass/talk to two of our own staffers – Darryl Stuhr and Stephen Bolech – you can see programs related to their time in the School of Music here and here.

(And as always when we finish a big project: Fire the Cannon!)

Small But Mighty: Introducing the Armstrong Browning Library Photographic Archive

Boy howdy, it’s been a few days since we last blogged! [Checks calendar, sees it’s been almost two months, feels regret.] Let’s make up for that today, shall we?

We’re excited to announce the launch of a new collection based on holdings of the Armstrong Browning Library. The new Photographic Archive will feature items digitized from the photographic holdings of the ABL, starting with the ten photos from the Julia Margaret Cameron (1815-1879) Collection. The collection includes several images of Robert Browning, the son of the poet Alfred, Lord Tennyson and family and friends of the photographer. A few examples can be seen below, or click here to view the entire collection in our Baylor University Libraries Digital Collections site.

Screen Shot 2015-07-08 at 9.56.37 AMRobert Browning, 1865. Photograph by Julia Margaret Cameron

Screen Shot 2015-07-08 at 9.58.51 AMStella: Study of Mrs. Herbert Duckworth, 1867. Photo by Julia Margaret Cameron.

Screen Shot 2015-07-08 at 10.00.52 AMHallam Tennyson, son of Alfred, Lord Tennyson, 1864. Photo by Julia Margaret Cameron.


You can see the entire Armstrong Browning Library Photographic Archive in our Baylor University Libraries Digital Collections. We’ll be adding new content in due time, so check back often!

An Open Letter to Andrew Lincoln, a.k.a. “The Walking Dead’s” Sheriff Rick Grimes

open_letter_andrew_lincoln_header Dear Mr. Lincoln,

That all of us at the Digital Projects Group are big fans of your work on America’s #1 Zombie Apocalypse Themed Television series is no surprise to anyone who reads this blog. Over the course of five seasons we’ve seen you grow from startled victim to grizzled leader of a hardened band of survivors. And far be it from us to tell you where you should go with Rick’s character development in season 6, but we found some information in our Baylor archives that we think would add some unexpected depth to a man pushed to the edge by events he can’t understand, let alone control.

I’m talking, of course, about playing the organ and joining a fraternity.

Now, hear me out. At first glance those don’t seem like the kind of skills RICK GRIMES would need in his tool set. But that would mean ignoring the contributions of two very real men named Rick Grimes, who happened to be Baylor students in the 1960s and the 1970s.

Rick Grimes I (The Organ Playing One)

The first Rick Grimes to show up in our records does so by way of an announcement of his junior organ recital.

Screen Shot 2015-05-20 at 1.58.59 PMSee the original, full item here.

It was such a big deal, it even got coverage in the Lariat, the campus newspaper.

Screen Shot 2015-05-20 at 2.02.11 PMSee the full newspaper issue here.

“Big deal,” you’re probably saying to yourself in your real, English accent. “So he could play a bunch of songs on an organ. How does that help Sheriff Rick?”

Well, take a listen (and look) at this clip of what the Toccata and Fugue in D minor sounds like, and tell us if that isn’t the perfect score for the post-zombie apocalypse.


Aside from it being atmospherically perfect for the blighted, paranoia-inducing nightmare landscape Sheriff Rick has to operate in every single day, the sheer complexity and overwhelming nature of it would stun every walker within a two-mile radius into complete submission by its awesomeness.

And 1961 Baylor student Rick Grimes played it – and five other pieces – to perfection.

Sure, toting around a gigantic pipe organ would be unrealistic. We’ll give you that one. But Sheriff Rick Grimes’ group spent time in a church this past season, and it’s not unrealistic to think that, now that you’re all in Alexandria, VA, you couldn’t just pop over to the National Cathedral in Washington, D.C. and use its 1938 Skinner and Son Organ Company organ to effectively neutralize the zombie menace in our nation’s capital. We’re just saying.

Rick Grimes II (The Fraternity One)

Maybe more practical skills are the kind of thing you’d like to bring to your character next season. Fine – how about the companionship, leadership abilities and general bonhomie to be found in a fraternity? Then you could take a tip from 1970s Baylor student Rick Grimes, who was a member of Kappa Omega Tau (KOT), a local fraternity.

Screen Shot 2015-05-20 at 2.21.43 PMClick here for full item in the 1974 Round Up.

Look at that group of fresh faced young men, ready to take on any challenge … including an outbreak of a killer virus that turns the recently deceased into ambulatory corpses. Yes, even that!

This image of 1970s Baylor Rick Grimes – taken from the KOT photo for 1972 – shows an upright, clear eyed young man with an eye toward his future …

Screen Shot 2015-05-20 at 9.00.51 AM… not unlike a certain group leader, whose steely reserve has seen his ad hoc family through a series of increasingly desperate trials.

Screen Shot 2015-05-20 at 9.30.57 AMYou’re practically twins!

We’d never presume to tell you how to play your character next season. Heck, we’re just so excited to see what you’ll do now that you’re poised to assume an even larger role in the leadership of the Alexandria Safe Zone that we’d be happy if you wound up doing a total 180 with Sheriff Rick and turning him into some Father Gabriel style pacifist. (Actually, scratch that. We wouldn’t like that at all.)

But if season 6 finds you seated at an immense pipe organ, wearing a sash with Greek letters on it and grimly dispatching of rotters, walkers, biters and the like with just the skill in your fingers and the determination in your heart, we wouldn’t have a problem with that, either.


This post is part of a series of Open Letters to musicians, authors and others that we hope will connect our collections to prominent people in America. If you have someone to suggest, or if you’re the subject of this post and want to drop us a line, send us an email (digitalcollectionsinfo@baylor.edu).

Season 6 of The Walking Dead premieres this fall. You can follow them on Twitter at @walkingdead_amc.

Caps, Gowns and College Towns: Collegiate Life in The Spencer Collection

It’s cap and gown season here on the campus of ol’ BU, and the class of 2015 has a lot to celebrate. Years of study, focus and passion come together in a 20-second walk across the stage to acquire their sheepskins and cross the threshold into alumni-hood.

Themes related to college life find unique expression in a collection of early 1900s sheet music found in the Frances G. Spencer Collection. We thought it’d be fun to look at a few – including their lyrics! – as we say “adios” to the men and women of ’15.

Screen Shot 2015-05-14 at 10.16.03 AMCover, The Co-Ed Waltzes, by Clara Douglas, 1909

We think the young lady on the cover bears a striking resemblance to one of Baylor’s own 1909 graduates: Mary Elizabeth Walker.

Screen Shot 2015-05-14 at 11.22.53 AMAbout Walker, this was written in the 1909 Roundup:

Mary is a studious Senior, though at times one might question her dignity. She ran for Baylor’s old maid in ’08 and, much to her sorrow, was defeated. She has made a splendid record in Baylor and has won the confidence and respect of her classmates. She hopes to have a red automobile by the time school is out, like the one she saw in England.”

It’s worth noting that the tone of the early yearbooks is often quite comedic, so there’s no reason to think Ms. Walker would actually have her dignity questioned. But we do suspect she saw a red automobile in England; that seems too specific to be contrived.

Screen Shot 2015-05-14 at 10.34.07 AMCover of Lincoln’s College Flag by Heelan and Helf, 1912

The lyrics to this piece indicate that, while other young people pledge their commitment to the flags of their alma maters, young Abraham Lincoln pledged his life to the service of the United States.

Screen Shot 2015-05-14 at 10.12.39 AMCover for And They Say He Went To College, by Moran and Furth, 1907

Lest you think the folks of 1907 gave too much deference to college educated men, check out just the first verse and the chorus of this song from the musical comedy The Orchid.

VERSE
In a Restaurant the other night, the best one in New York
I saw a man who vainly tried to eat soup with a fork
My heart went out in pity, every time his fork would plunge
He didn’t know the right way to eat soup is with a sponge

CHORUS
And they say he went to College,
Where he gained a lot of knowledge
He acted like a lobster with an amputated claw
When a bowl near him the waiter laid
Why he wash’d his hands in lemonade
And they say, they say he went to college
Rah, rah, rah!

Screen Shot 2015-05-14 at 10.32.02 AMCover, Her Eyes Are Blue For Yale, by Hough, Adams and Howard, 1909

Women don’t make out especially well in the comedic college-related songs of the era, either, as this tune about a girl who’s pledged her love to collegiate beaus of varying hues.

VERSE
Never give your heart just to one
No man’s worth it under the sun
Keep them guessing and they’ll adore you
It’s lots of fun

College days are full of joy
Play the same game with ev’ry boy
The College flirt wears her favorite colors
Combined in one

CHORUS

Her eyes are blue for good old Yale,
Her lips are Harvard’s hue
And her golden hair with a bow of black
Are Princeton’s colors too
She wears Chicago’s old maroon
Ann Arbor’s maize and blue
Because to fifty college men
She’s trying to be true

You may say her heart is untrue
Still what can a pretty girl do?
Why on earth should she save all her charms for
Just one or two

College days are fleeting as Spring
Youth and joy and love may take wing
Still in memory’s tender dreams
Come back to you

Screen Shot 2015-05-14 at 10.26.21 AMCover, Here Comes A College Boy, by Horwitz and Bowers, 1909

Lastly, here’s a piece about the chaos that attends a college boy’s return to his hometown. Waiters and theater owners beware!

VERSE
Who’s that walking down the street
Rah, rah, rah, rah, rah, rah
Rather young and rather neat
Hip-a Hip-oo-ray!
Walks as if he owns the town
Will he turn it upside down
Spreading news about the town
Here comes a college boy

CHORUS
Oh joy, oh joy! A noisy college boy!
Here comes a college boy
He is his daddy’s joy
Full of knowledge learn’d at college
Boxing, rowing, football knowledge
Now give the college cry
Um-pa, um-pa, ump, oh my
Close the theaters, tell the waiters
Here comes a college boy

VERSE
Who’s that spending money there
Rah, rah, rah, rah, rah, rah
On a lady young and fair
Hip-a Hip-oo-ray!
Who’s that fellow opening wine
Asking ev’ry one to dine
Treating everybody fine
Why, that’s a college boy.


To all our graduating Baylor Bears, we say best of luck in the great, wide world, and watch out for tricky bowls of soup!

A Campus Divided? The Historic Precedent for the “Bearlin Wall”

To the Baylor Campus Community,

As President Abraham Lincoln said during the dark days prior to the outbreak of the American Civil War, “A house divided against itself cannot stand.” Those words may have slipped into the realm of cliche to those of us in the enlightened 21st century, but they hold truer than ever as we face the great struggle of our time: the Bearlin Wall.

The Wall

The Wall

Battle lines have been drawn. Entrenchments have been entrenched, forts have been fortified, provisions have been provided for: conflict is imminent. Passions are inflamed as loyalties are pledged to the King in the North (Art Briles) and the King in the South (Burt Burleson and/or Ken Starr – there appears to be a power struggle afoot).

But may we, your humble digital collections social media team, ask you all to cool your ardor for confrontation and consider that this divisive situation actually has historic precedent, as made evident by this surviving artifact of what became known as the 5th Street War of 1939*.

And this conflict featured a brick wall.

This hand drawn map, created by E.H. Ramirez, documents a time of division and turmoil that coincided with the general political unease felt around the world in the run-up to World War II. Here is the map in its entirety:

1939 map of campus by E.H. Ramirez (Click to enlarge)

1939 map of campus by E.H. Ramirez (Click to enlarge)

As you can see, the majority of campus development at the time was in the more industrialized, heavily settled South. The dividing line then, as now, was Fifth Street. While the North was largely rural at the time of the 5th Street War, it did house the Rena Marrs McLean Gymnasium, which meant the Northern forces had access to a swimming pool, so they had that going for them (which was nice).

But a closer look shows that even in the halcyon days of the late 1930s, there existed a structure whose very purpose was to divide, to exclude, to prevent the very kind of conflict we’re living through today: the Brick Wall.

inset-map-BU-1939

Inset of 1939 map. Click to enlarge.

Yes, in the days before the great edifice known as the Bill Daniel Student Center/the SUB was there to serve our every Dr Pepper Hour and last-minute Chik-fil-A craving, there stood an imposing barrier of brick and mortar, a stark delineation between the people South of the Wall and those North of It.

The Brick Wall’s ostensible purpose was to keep bystanders from wandering into the field of play while gridiron and baseball action was taking place on Carroll Field, but its real function became obvious in time: to keep the Others out.

No one knows who fired the first shots that eventually culminated in the 5th Street War of 1939. Perhaps it was a zealous Southerner, caught up in the unquenchable thirst for a dip in the pool. Or perhaps a nervous Northerner, long envious of the fine brick structures of the South, unloaded on a hapless Southerner after misunderstanding the punchline to a joke that was popular at that time. The historical record is silent on its cause, but the after effects of the 5th Street War of 1939 were stark. Consider:

  • In the years following the War, every structure shown on this map that lay to the North of 5th Street (except for Marrs McLean Gym) was destroyed. In its place today are structures like Morrison Hall, Fountain Mall, Sid Richardson Building and the Moody Memorial Library.
  • The South suffered loss as well: the Baylor Men’s Hospital, Little Theatre Work Shop, Baylor Beauty Shop and more were lost.
  • The presence of livestock near Waco Creek (represented on the map by a “contented” longhorn cow) was completely eliminated from the campus.

But despite the pain, loss and clutching of pearls that followed in the wake of the 5th Street War of 1939, the campus slowly mended its divisions in the ensuing decades and entered into a Golden Age of unity, presided over by the dual guiding lights of academic excellence and (eventually) football dominance.

Let us take our example from these previous generations and work to unite in the face of a potentially disastrous situation. We must embrace the things that make us all Baylor Bears, that transcend the temporary inconvenience of a few yards of construction barricade. After all, as the great Ben Gibbard of Death Cab for Cutie sang on their hit song “Black Sun,”

There is an answer in a question
And there is hope within despair
And there is beauty in a failure
And there are depths beyond compare
There is a role of a lifetime
And there’s a song yet to be sung
And there’s a dumpster in the driveway
Of all the plans that came undone

Let us choose the hope within despair, and let the dumpster in the driveway (5th Street) be hauled away, filled with the rubble born of aesthetic progress. If we can but hold firm for a few fleeting months, our fair Fountain Mall will once again bring forth sparkling waters from the fecund bosom of the Earth, as seen in this artist’s rendering.

Screen Shot 2015-04-29 at 1.14.22 PMSo embrace your Northern kin, Southern Bear. Share a meal with one another, cavort on the mall, fling your green and gold afar, hand in hand as you go. The schism of today will be the fond memory of tomorrow, and we will live with the examples of both the 5th Street War of 1939 and the Great Unification of 2015 firmly in our hearts … together.

– Your Friends in the Digital Projects Group


*Not an actual war. This whole piece is, of course, a work of satire, based around the opportunity to showcase a really cool (and very real) map of the campus drawn by a student in 1939. But you all knew that already – after all, you ARE smarter than the average bears.

The 1939 Map of Campus by E.H. Ramirez is from the holdings of The Texas Collection. See the map in our Digital Collections here.